Glen Phillips solo records
Toad the Wet Sprocket
Booking – Adam Bauer: adam(at)flemingartists.com
Management – Steve Smith: stevesmithhq(at)gmail.com
and Josh Terry: josh(at)workshopmgmt.com
Press – Monica Hopman: monica(at)thinkpress.net
For Toad the Wet Sprocket:
For all other inquiries, lessons and consulting:
Things I Play - gear and gadgets
Sean Costello at Valhalla DSP makes incredible, affordable reverb and effect plugins. The interfaces are simple and sensible, the effect quality is second to none, and the parameters are tuned for smooth changes which let you play the effects like musical instruments. Check out Valhalla Room and Übermod in particular. And Shimmer. And Vintage Verb. And Plate. Affordable and brilliant.
Klanghelm makes the MJUC, a variable mu style multimode compressor with a huge amount of mojo.
Motion by Output does beat synched complex effects, adding life and movement from the subtle to the extreme.
Andy Simper is the genius at Cytomic Audio, and is responsible for The Glue, an SSL-style bus compressor I seem to use on everything.
I’m also very fond of Kush Audio’s UBK-1, a strange and beautiful compressor/saturator thingy. Rather girthful and exciting.Tools I use live, for those who wish to know:
Lakewood M-32 acoustic guitars
Neumann KMS105 mic
A custom dual humbucker electric guitar with Tele styling from Rhinehart
Seymour Duncan electric pickups
A custom shop ’52 reissue Telecaster from Fender
A lovely golden Aluminum Falcon II overdrive (Centaur style) from PCE Effects
Original ’65 Fender Princeton amp with a Weber 50W ceramic speaker.
ZT Lunchbox amp
My current pedalboard on the 2016 Toad tour: Korg Pitchblack tuner, Radial Twin City active ABY, Rupert Neve Designs DI for the acoustic guitar channel. The electric guitar goes to a Truetone Route 66, PCE Aluminum Falcon III, TC Electronic Flashback 4X and Hall Of Fame Mini.